We
were young and happy and grabbing
fistfuls
of blueberries
from
her old man’s bushes.
I
kissed Pammy
full
on the lips.
She
pushed me away and sang:
Baby,
I don’t want to know.
I don’t want to know how
you never loved me.
I don’t want to know –
oh no – I don’t.
I don’t want to know how
you never loved me.
I don’t want to know –
oh no – I don’t.
In
the morning,
the
Mexican migrant families picked
their
berries as they always did,
tight-lipped
and sharp-eyed,
and
I watched them from two rows away,
and
I heard them singing, but
I
didn't understand a single word.
I
knew they sang to Jesus.
They
sang to Cesar Chavez.
Pammy
sang
the
corridos of Muttsy Hugbars.
She
sang of the left-hand poet, the last
bastard
bard of Muskegon County Michigan,
the
destined exile of the dirt road,
the
half-assed landslide and dirtfall
poet
of small hills and his flatland people—
the
flatfoot folks who walked that road,
who
picked those blueberries,
who
sang those muddy songs.
She
sang my song.
I
had a plastic milk jug of dandelion wine.
I
had a can of Pabst.
I
wanted to know where
is
the topic sentence
we
heard John Fogerty sing,
that
we heard Creedence sing.
We
saw all the wattles of the old men,
she
and I, we saw the fat
jowls
of the men in their thirties,
those
flabby fucks
who
prowled the horse barn at the Ravenna Fair.
They
skunked around the stalls
not
looking at the ponies
the
girls rode.
I
want to be with you
is
what she said to me.
Can
you hear me holler,
she
said, and no one
listened
but me.
I
want to be with you, she said.
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